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Hansel & Gretel - by Hilary Mackelden |
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Characters
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Madam Melba’s Bakery |
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Shelves of cakes, rolls, sandwiches, etc. Near the counter is a safe. Scott, Cherry and Melba serve behind the counter. Dancers are in front of the counter. They dance, purchase cakes and exit. |
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Cherry |
Phew! That was a bit busy. |
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Melba |
Good job I’ve got some more buns in the oven. |
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Scott |
(to audience) Hiya, kids. |
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Scott and Melba improvise with audience – Customer 1 enters. |
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Melba |
Welcome to Madam Melba’s Confection and Nutrition Emporium. |
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Customer 1 |
You what? |
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Cherry |
Cake shop. |
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Melba |
(deflated) Can I help you? |
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Customer 1 |
I’d like a cake, please. |
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Melba |
There’s a surprise. |
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Melba goes behind counter, re-emerges with a huge gateau. |
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Customer1 |
That’s too big. I only want a small cake. |
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Scott |
Give her some short bread. |
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Melba serves customer 1, who exits. Customers 2 and 3 enter. |
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Customer 2 |
Have you got chocolate fingers? |
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Melba |
No, it’s just the tan from my last holiday. |
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Customer 3 |
I’ve heard you bakers are very cruel, you know. |
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Melba |
What makes you think that? |
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Customer 3 |
Well, you whip the cream and beat the eggs. |
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Melba chases customer 3, who exits. Customer 4 enters. Behind her comes Hansel. He hangs back, shyly. |
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Customer 4 |
Why did the apple turnover? |
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Cherry |
I don’t know. Why did the apple turnover? |
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Customer 4 |
Because it saw the sausage roll. |
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Melba |
Strikes me we’ve got far too much sweet corn in here. |
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Scott |
(to Hansel) I suppose you’ve come in for a date slice? Go and talk to her. |
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Hansel |
What am I going to say? |
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Scott |
I don’t know. Ask her out. |
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They talk quietly. |
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Melba |
(to audience) Uh-oh. It’s that idiot boy, Hansel again. Shall I sort him out? (audience ‘no’) Oh, come off it. Look at him. He’s a waste of space. |
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Cherry |
No, he isn’t. |
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Melba |
Yes, he is. |
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Cherry |
No, he isn’t. |
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Melba |
Oh, yes he is. |
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Cherry |
Oh, no he isn’t. |
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Melba |
It’s my shop. I say who’s a waste of space. And that boy is a waste of space. (to audience) He’s also the funniest looking lad I’ve seen in a long time. |
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Cherry |
No, he isn’t. |
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Melba |
Oh, for goodness sakes! |
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Scott and Hansel walk forward, talking. |
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Scott |
Gretel and I are going out tonight. Why don’t you and Cherry come with us? |
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Hansel |
That’s a good idea. I’ll ask her. (moves towards Cherry) Hello Cherry. |
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Cherry |
Hello Hansel. |
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They pause, shy. Scott gestures at Hansel to go on. Melba is unimpressed. |
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Hansel |
How are you? |
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Cherry |
I’m fine. How are you? |
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Hansel |
Fine. |
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Cherry |
It’s nice to see you. |
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Hansel |
It’s nice to see you. |
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Melba |
I can’t take any more of this. |
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She puts herself firmly between them. |
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Cherry |
Mother! |
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Melba |
Did you want something, young man? |
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Hansel |
I…I…I was…I mean… |
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Melba |
Spit it out! |
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Scott |
Not in here. There are rules about that kind of thing in a bakery. |
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Melba |
Did you want a cake? |
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Hansel |
No, I… |
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Cherry |
…Mother, please! |
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Melba |
A sandwich, then? |
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Hansel |
A sandwich? |
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Melba |
I thought so. |
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She goes behind the counter and brings out a huge sandwich. She gives it to Hansel. |
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Melba |
There you go. A growing boy like you, you need a big sandwich. Thank you. Call again. |
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She steers him to the door and he exits, bemused. Melba turns to the audience. |
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Melba |
I’m making a fortune out of that boy. |
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Cherry sighs and turns away, almost in tears. Scott comforts her. |
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Melba |
Oh, for goodness, sake! What’s the matter with you? |
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Cherry |
Nothing. |
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Melba |
Cherry, you look like a wet day trip to Eastbourne. Stop crying. You’re going to make my fruit crunch’s all soggy. |
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Cherry |
I’m not crying. |
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Melba |
How can you stand there and tell such fibs to your Mother? Of course you’re crying. You’re eyes are all glassy, Cherry. |
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Cherry sobs, runs and exits. Scott looks sternly at melba, who feigns innocence. Mr west enters. Melba makes eyes at him and tries to look enticing. He ignores her and speaks to Scott. |
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Mr West |
I’d like some bread, please. |
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Scott moves behind the counter. Melba sashays towards Mr West. |
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Melba |
Don’t you have enough ‘bread’ in your safe at the bank? |
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He stares blankly at her. |
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Melba |
Bread? Bank? Doh, forget it. |
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Scott |
Will there be anything else, sir? |
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Melba |
‘Dough’ nuts? (she comes on to him. he backs away) ‘Mint’ cake? |
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She comes towards him again. Again, he backs away. He is trapped. |
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Scott |
Madam Melba? Have a gob stopper. |
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She turns to answer Scott. Mr west seizes his chance, escapes and exits, quickly. |
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Melba |
Fiddlesticks! Can you smell burning? My cakes! |
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She rushes off. Cherry enters. |
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Cherry |
Oh, Scott, it’s not fair. At this rate, Hansel and I will never get to go out together. |
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Scott |
You’re going to the dance next week, aren’t you? |
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Cherry |
I’ll believe it when I get there. Every time he starts to talk to me, Mother steps in and stops him. |
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Hansel enters. |
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Scott |
She’s not here now. I’ll keep an eye out for her for you. |
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Hansel |
Hello Cherry. |
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Cherry |
Hello Hansel. |
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Scott |
You did that bit already. Get to the important bit. |
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Hansel |
Cherry - |
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Cherry |
Yes, Hansel? |
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Hansel |
I was wondering… |
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Cherry |
Yes, Hansel? |
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Hansel |
What I mean is… |
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Scott |
We close at five o’clock. |
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Hansel |
I get all tongue tied when I try to say it. |
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Scott |
Then sing it. Dance it. Send it in semaphore. Just hurry up about it, before she comes back. |
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Hansel sings #Sherry# by Frankie Valli. |
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Cherry |
I’d love to come with you tonight. I’ll go and get ready. |
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She exits. Hansel punches the air triumphantly, then exits. |
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Scott |
Thanks Scott. You’re a pal. Oh, don’t mention it, Hansel. (he checks his watch.) Time to shut up shop. |
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He moves to the door. A customer enters. |
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Customer |
Got any cakes left? |
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Scott |
Yeah. Plenty. |
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Customer |
Serves you right for making so many. |
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Customer runs and exits. Scott gives chase and exits – Panini and Cappuccino enter, sneakily – they look around and sneak towards the safe. |
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Panini |
There’s nobody here. Let’s get this done. |
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Cappuccino |
I don’t like it. My Mama said it was wrong - |
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Panini |
Your Mama isn’t here, is she? And I won’t tell her if you don’t. |
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Cappuccino |
If she ever finds out, I’ll be in so much trouble. |
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Panini |
Not as much trouble as you’ll be in if Fran Gipani finds out you didn’t do as she said. Now, come on. |
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They cross to the safe and start trying to open it. Off stage we hear Scott shouting at the cheeky customer. |
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Scott |
And don’t come back! |
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Panini and Cappuccino hide. Scott enters. |
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Scott |
Honestly! The cheek of some people! Hiya, kids. What’s happening? |
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The audience try to warn him about the robbers. He can’t understand them. Lines below can be changed according to what the audience shout. |
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Scott |
Erasers? No, we don’t sell erasers. You want the stationery shop for that...(other lines of this type) Safe? Of course I’m safe?... Our safe? (he goes to the safe and checks it. He does not see the robbers) No, it’s fine. Look, I’ve got to go and help Madam Melba get the cakes done for tomorrow. I’ll be back later. Bye for now. |
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Scott exits. Panini and Cappuccino come out of hiding. |
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Panini |
That was close. We nearly got caught then. |
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Cappuccino |
Let’s go home before we do. |
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Panini |
When we’ve got the safe open. |
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He starts on the safe again. Cappuccino watches, scared. Panini opens the safe. |
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Panini |
Right. Give me the bag. |
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Cappuccino |
What bag? |
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Panini |
The money bag. |
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Cappuccino |
I haven’t got any money. |
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Panini |
The bag to put the money in. |
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Cappuccino |
I haven’t got it. |
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Panini |
You must have. I gave it to you before we came out. |
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Cappuccino |
Yes. |
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Panini |
I told you to keep it safe. |
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Cappuccino |
Yes. |
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Panini |
So where is it? |
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Cappuccino |
It’s under my pillow. |
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Panini |
What’s it doing under your pillow? |
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Cappuccino |
That’s the safest place I’ve got. |
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Panini |
You were supposed to bring it with you. |
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Cappuccino |
That wouldn’t have been very safe. What if someone had robbed me? They might have stolen it. They might have crept up behind me and hit me on the head and - |
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Panini |
I’ll hit you on the head in a minute. What are we going to put the money in now? |
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Cappuccino goes behind the counter and comes back with a cake box. Panini gives him a sidelong look, then snatches the box. |